A while back, Senses of Cinema offered a mini-dossier on Wong Kar-wai’s cinema on the occasion of the release of his In the Mood for Love (2000). A number of writers were invited to pick a word that for them invoked Wong’s cinema and to write a short piece moving out from that one word. […]
The post Resonant Textuality: Visualising and Conceptualising the Cinema of Wong Kar-wai: Wong Kar-wai by Stephen Teo appeared first on Senses of Cinema.
